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Atish occupies a rare space in dance music. At a time when most DJs rise to prominence primarily through their work as producers, Atish’s success has been realized through his total devotion to the art of DJing. What began at a small gig back in 2010 in San Francisco has since flowered into a magical journey around the world at clubs, festivals, and afterhours on six of the seven continents.

His sets are deep, emotive, ecstatic, an expressive journeys in melodic deep house that create lasting emotional experiences for the listener. Atish is also a natural performer, engaging the crowd with a mixture of charisma and charm. He’s been known to don costumes and wigs when he spins, a playfulness that balances the strict discipline and obsessiveness he has for DJing. Continue reading

It’s hard to know where Geoff Kirkwood ends and Man Power begins. The alter ego of the Englishman living in Mexico has blurred the lines between the person and the DJ, but this works in our favor.

Man Power’s music draws inspiration from wilfully smart-arsed influences ranging from early 20th century modernism, to late 20th century New Wave, via experimental cinema, proto-house, proto-techno, in fact proto-everything.

His somewhat experimental and pop textured debut eponymous album on Jennifer Cardini’s Correspondant label released in 2015 was received with effusive reviews across the board and sits comfortably with his other eminent releases on the likes of Hivern Discs, Throne of Blood, Infine and Ene Japan. Continue reading

So you want to throw a party but don’t know any DJs. It’s hard to imagine but in Lüneburg in 1997, Matthias Reiling and Hauke Freer had no other choice but to DJ. With Matthias playing funk and soul and Hauke playing house and techno, it became the start of a long career behind the decks.

Today the boys are better known as Session Victim, a house production duo out of Germany. It was a natural progression for the friends who were both music lovers from a young age. Matthias spent many years playing in punk and hardcore bands while Haute skipped school to go to record shops.

“We spent a lot of time together hanging out and listening to music. We both played but never together,” Matthias said. Continue reading

The sixth Good Room Podcast comes from NYC’s Tanja. The Beefcuts and Deepcity resident is known for her innovative sets which bring out joy and movement for anyone listening. She delivers an hour mix of deep sounds for the dancefloor moving through house and techno while keeping it sexy.

She produces under Remove Hyphen making deep acid, industrial, electronica grooves to cocoon room techno, weaving together a musical journey. Her dynamic and rhythmic selections welcome you to the dance floor to celebrate your life, your body, and the possibilities.

Eli Escobar is the quintessential New York City DJ. Over the past ten years he’s built a reputation around his parties as well as his label Night People. With a style based on his diverse tastes, Eli subversively drops his influences and personal favorites into even the most commercial of sets. What Eli brings to the table in his production, through the looking glass of his career is an understanding of music’s sustainability.

Eli shares a mix of old school Chicago jams for the fifth Good Room Podcast. Eli has been a familiar face on the city’s scene for the last two decades as the co-founder of Tiki Disco and Night People NYC. This all-vinyl mix was recorded live at Good Room at Rinsed’s The House that Jackmaster Hater Built.

Andi brings a melange of new wave, post punk, industrial and EBM to the Good Room Podcast. The Good Room regular and the lady behind Synthicide has been DJing around Brooklyn for the past couple of years and hosts the Black Door Radio Show on WFKU.

Tunnel Signs takes us deep into the depths of acid techno and dark disco for the third Good Room Podcast. The Australian, NYC-based DJ premiers a number of unreleased tracks in this hour mix including a D’Marc Cantu remix of his new jam ‘Quarks’, out soon on Have a Killer Time, plus forthcoming tunes on Ancient Future Now and Nein. Continue reading

Octo Octa is an artist for the heads. Maya Bouldry-Morrison’s creates a finely-tuned marriage of exquisite compositional flare, meticulously-sculpted sonics, and primal dance-floor functionality. Based in Brooklyn, she’s been pushing her unique sonic perspective and shimmering club-ready earworms since 2011 with releases on Running Back, 100% Silk and Argot. Continue reading

For the second Good Room Podcast we asked long-time NYC DJ Stewarrt Upchurch to get behind the decks. Stewarrt is one of the city’s top dance record authorities, having worked at A1 and Vinylmania. He’s done a few tracks for Nervous Records and has plans for more releases later this year. He takes us on a soulful journey through house music in this one-hour floor-filler. Continue reading

JKriv and Aaron Dae the Brooklyn duo responsible for helping shape the modern NYC disco sound. Through their label Razor-N-Tape, they’ve put out 30 releases in the past four years, finding some of the best producers from here and across the globe.

Starting a record label was always on the cards for the pair. They’ve spent decades in the scene, both as dancers and DJs, and were brought together out of a mutual love of all things groovy. Continue reading